Projects
Finished Projects
Children’s book author had seen a slump in sales over the years, and needed help growing.
Spoiler alert, it’s adorable and we’ve seen fantastic results✨
Leslie reached out to Lady Who wanting to increase her engagement and boost book sales. Through our social media strategy, a bit of tactical paid advertising, and account management, we’ve seen brilliant engagement and momentum is building. So far this month, we’ve generated a 9.6% engagement rate and boosted book sales of her Halloween board book ‘Boo!’ 👻 by a huge 371% increase year-on-year
🚀It’s easy to love Leslie’s illustrations and stories, but it takes a solid strategy to work with social media effectively - we do that bit, so you can concentrate on creating more of what you care about! With over 15 years of experience working in social media for all the big brands, we now want to focus on writers, artists, filmmakers, and creatives like YOU! Let’s get your creations to the right audience.
Unlock the Box, the National Campaign to End Solitary Confinement in the United States, came to Lady Who wondering how to raise awareness online about the fact that putting people in prison cells the size of a parking space for days, years and sometimes decades on end is actual torture. We began brainstorming, and came up with the idea to point a camera at a wall and go live on Instagram for 24 hours.
This idea grew into BOXED IN where we went to Eastern State Penitentiary - the most haunted and oldest prison in the United States to film. We then screened this filming, adding in real sounds of torture, poetry readings by impacted individuals and live tweeted and streamed for 24 hours. We took over the social media channels of influencers, partners and brought in hundreds of people all over the world.
Every hour, a new statistic, fact, or quote will be projected onto the wall. Each fact illustrates the harsh reality of life for those in solitary and the long term, harmful effects solitary has on individuals, families, and communities- -and how it is one of the pillars upholding mass incarceration in the United States. We showcased more information each hour.
See the full social media presskit here.
The students who were involved in the mass shooting at Marjory Stoneman Douglas HS in Parkland, Florida needed to start to heal. SHINE MSD, a non-profit born from the tragedy, wanted to help heal the community through the arts after their two daughters wrote their song SHINE (as played on CNN TownHall), and found comfort in performing.
Invited by the Oz Effect to help run a ground-breaking summer program called Camp Shine, Lady Who was also involved with their ongoing strategy for social media. Designed and run by leading national creative arts therapists, the camp helped students discover their unique voices through music, theatre, and visual arts while making much needed connections with their peers. Online, we developed an anonymous way for students to share feelings and garner outreach.
We not only connected and introduced the lead therapist to the program, we developed a guidebook for future schools who would (unfortunately) go through the same trauma. We led their social media & grass-roots marketing campaigns to find students who were in need of help. We were able to increase their fundraising through the social media programs, as well as find more students to take part, encourage active sharing of trauma and create a safe-space online in times of need.
A VOICE TO LISTEN: In moments of distress, we used Instagram Stories to let students share their stories of grief, and we had a therapist on the other end to reach back out.
A PLACE TO SHARE: If students weren’t able to come to the camp classes, we encouraged them to share their creativity online. Students developed dozens of new songs, pieces of art, poems and writings to share with the other students.
Lady Who worked with Prodigious to create a series of influencer TikTok videos for L'Oréal Paris to promote their new lip products across Europe. We developed the storyboards for TikTok architecture and the strategy for this campaign.
Independent Documentary "LET THE LITTLE LIGHT SHINE" by Kevin Shaw, had just got funding by ITVS, and was in need of a social media strategy to promote the film once it debuted in film festivals and on PBS. Lady Who developed a six month long strategy that focused on three main objectives with this social media strategy:
- to raise awareness of the film,
- to raise awareness of the issues in the film.
- to create a community of like-minded people who want to become their own heroes.
Within each of these objectives, we focused the strategy on gaining not just followers, but loyal fans who will advocate on the behalf of the issues in the film, as well as spread through word of mouth their passion for the film itself. We created content pillars, focusing on the WHY, WHO, HOW, WHERE, WHAT & WHEN of the film. There were so many characters and moving parts, it was important to break down the focus for the audience to celebrate the story, educate them on the issues at hand, take action and eventually, become the promoters of the film itself.
We also worked with the director to create the best poster for the film.
Nestle’s Wunda pea-milk was about to launch their new product across six different countries - the UK, France, Germany, Italy, Portugal and Spain. Prodigious Agency approached Lady Who to create a comprehensive guidebook that outlined their key consumer, how the brand would speak across all social media platforms, how to incorporate UGC content, raised awareness about how their competitors were speaking on social media & develop three key editorial pillars. Over the course of three months, we worked with experts at Twitter, Meta, Tiktok and YouTube to develop best practices for paid media, and worked with designers to see our organic storyboards come to life about the little Pea that believed he could better this world. We also created a strategy for local influencers in each of the countries.
The guidebook was delivered to over 100 employees throughout the company to use and deploy.
The 193-page guidebook included: competitive analysis, brand identity, identifying target audiences, channel approach, defining editorial pillars, best practices, partnerships and influencer recommendations, an annual content calendar with key dates and benchmarks
Finally, creatively, we developed the concept of the tiny pea who believed he could become a super hero to change the world.
We told the pea WUNDA’s story through mentors in the form of recipes, allies in the form of sustainability practices, rewards in the form of good- tasting smoothies and proteins. The hero is resurrected by reducing greenhouse emissions and carbon footprints.
Lady Who Productions produced, wrote and handled post production for this angry short film.
This film won 9 awards at various film festivals.
LOGLINE: Agoraphobe Sandra literally lives her life through social media. She's angry at all the smiling women online - why aren't they as angry at men, the world, everything as she is? She enlists her friend Molly to start a cult of feminine rage to get women to start showing their beautiful, irate faces.
Crew:
Meagan Adele Lopez - Director/Producer
Jackie Teboul - Cinematographer
Helen Cusack O'Keeffe - Art Director
Volant Neli - 1st AC, Editor
Raphaël Monnin - Sound Engineer
Raphaël Fourgeaud - Gaffer & Additional Camera
Charity Bowman - Continuity Supervisor
Céline Mellot - Makeup Artist
Sidney Billon - Makeup Artist
Louise Condiescu - Runner
Franco-American indie artist, CLARA-NOVA, released a new music video. Lady Who Productions produced it, and marketed it.
We needed to develop a marketing plan that would last three months from fundraising to behind the scenes filming to the launch of music video where the goal was to garner the most amounts of views.
We developed a 4-pronged marketing plan:
- In order to get her fans excited from the outset, we developed a live blog promoting the development and the shooting of the music video in Paris, France
- Shot a behind the scenes video highlight reel
- Developed an advertising strategy around the release of the song on social media
- Due to the love aspect of the song, we launched on Valentine’s Day in coordination with a piecein Earmilk Magazine
RESULTS:
- Over 100,000 views in first week!
- Most viewed music video out of 26 on artist’s YouTube page
From the Director:
"Lady Who Productions is a team of fierce creatives whose passion, drive, and absolute joy in the process make them a dream come true collaborator. Let's be honest, a large part of the creative process isn't that "creative," it's budgeting, it's fundraising, it's emailing, it's coordinating, it's making lists and crossing them off. The founder, Meagan, is one of those rare people who understands that it is all necessary to put great work out there. She brings excitement and dedication to every role she takes on. After working in the film industry for many years, I know how rare this is. I found her to be both deeply personal and completely selfless in her work - a rare and powerful combination. Any production with Meagan at the helm is destined to succeed."
About the music video: "Something about the oncoming summer seems to have the whole music world buzzing with excitement and anticipation: Everywhere you turn, there sprouts another love song, and Los Angeles artist CLARA-NOVA is no exception: Her anthemic song “Electric” basks in the euphoric spark of budding love, capturing the moments that take your breath away with a refreshing indulgence of blissful alt-pop energy."
CASE STUDY:
PROBLEM: The Emmy-nominated Film, CODED BIAS, had already won several awards and was critically acclaimed everywhere it was released, but it had no online presence. There were no social media handles, no followers or even a website.
IMPLEMENTATION: Lady Who created, developed and iterated the social media marketing strategy from the ground up. We managed the creation and development of the website. We launched an ad campaign to increase followers and send people to theaters. We developed the social media guide, tone of voice, press kit and toolkit for partners, film festivals and non-profits.
RESULT: In less than three months, we increased followers on all social media platforms by 15,529 new followers. In October, our follower count increased 154% from the previous month.
We were able to share huge wins across a growing number of followers on social media to promote legislative changes on the use of facial recognition technology, and when Amazon, Facebook, IBM all paused their facial recognition technology, we were one of the first accounts to share this information. When Netflix bought the film, they used the content base we had developed for the press kit on social media as theirs.